I hadn't been very happy with the initial results (above ) of collaging the dyed papers - first of all too pastel and patchy then too gaudy using Koh-i-Nor watercolour dye palette. I've had a couple of goes at it since I got home with Neocolour crayons and layers of acrylic medium, trying to unite the different areas, losing some of the freshness and textures in the process but improved overall. I like the ridges where I embedded dyed hemp string
I backed the piece with a fused piece of cheesecloth, mainly to give stability to the edge when trimmed and stitched with a zigzag (variagated thread again -machine one this time). I liked the raggy edges but it didn't work compositionally so trimmed it to CQ Journal size (6" x12"). I'm off to CQ Summer School tomorrow with Jae Maries , so it may get superceded as my June piece Looking forward to seeing everybody and making a mess with inks!
I backed the piece with a fused piece of cheesecloth, mainly to give stability to the edge when trimmed and stitched with a zigzag (variagated thread again -machine one this time). I liked the raggy edges but it didn't work compositionally so trimmed it to CQ Journal size (6" x12"). I'm off to CQ Summer School tomorrow with Jae Maries , so it may get superceded as my June piece Looking forward to seeing everybody and making a mess with inks!