Moore Dismembered ( and More!)

The Henry Moore exhibition at Kew has finished and is being dismantled - I shall really miss having them around and wish I'd taken more opportunities to draw them. The Double Oval was one of the first pieces to go and as I didn't have a camera with me, missed the chance to take pictures of the combination of sculpture and crane ( both having been subjects of recent quilts!) . I've had my camera with me since as the sculptures are gradually dug up and moved to the end of the Broadwalk for crating up. They have fences and security staff ( not just for health and safety) so can't get too close but I rather like the strange juxtapositions and the 'bodies' taped up like bandages. It's like a cross between a zoo and a casualty department.

This weekend I had a frantic stitching and painting session and finished off my 'Thin Blue Line' challenge piece - I'm calling it 'Gythion Glow'. I'm not sure about the etiquette of sharing completed quilts before submitting them to exhibition so I shall just show a glimpse of the sky. I'm generally pleased with it - there were some problems with scale-up even tho' I'd done a 1/4 size sample. I need more practice mixing blues , the sea part didn't work so well but you'll have to wait to assess for yourselves.

My other recent project ( which I can now reveal as she's received it!) was a 60th birthday present for Sue. I knew she wouldn't want yet another cushion and wanted to make something that was useful and reflected our shared interests ( and her love of purple)

In the end I made a sketchbook cover with 60 samples of purple fabric from my stash, including bits of seams and buttonholes from shared charity shop buys , fabric she's given me and some African fabrics. I'm slightly ashamed to say that even with my recent stash edit, finding sufficient fabrics was no problem. I could also easily do the same for other colours.

I glued down the inch squares and zig-zagged them to a batik background (ebay purchase!) and used vilene as batting and made a matching card from a photo applied to monoprint tissue.

I've been interested to see the results on various blogs of a journal-making course run by Sue Bleiweiss. It's something I'd like to have a go at as a completed art project but for actual sketching in my view there's nothing to beat Daler Rowney hardback sketchbooks spiral bound as scrapbook/'lab-book' or casebound for drawing/painting out and about ( just have to watch that they don't have perforated sheets-I hate those). Having worked out how to do it, I now want to make covers for my own sketchbooks- perhaps with board inserts so that I can use the very cheap student sketchbooks available in floppy excercise book format.
If I could work out a way of having 2 extra hands that would be useful what with juggling my water pot ( lantern with handle) , watercolour box ('bijou' with thumb ring ) , sketchbook with bulldog clips (to keep page from flapping) PITT pens and No 10 travel brush ( not forgetting tissue to mop up the drips). I've tried substituting a water filled brush pen for the brush and water pot - ok for smudging watercolour pencils but not very satisfying brush marks.

Off to Cambridge on Friday with Sue for Quilters Guild AGM.- we're doing a workshop with Charlotte Yde and going on the coach outing to Ely. Should be fun!