CQ Rydal Hall Retreat 2016

Last week on retreat at Rydal Hall  was spent in excellent company with  gentle strolls, sketching and  stitching  fuelled by coffee, 'tray bakes', wine and laughter.  Woke up on the first morning with  snow falling overnight (although it didn't last long). After tearing myself away from the view out my  bedroom window,  went for a walk in the very green woods with lots of piles of wood. Tried a bit of retail therapy in Grasmere but many shops were shut and  the  tins from the gingerbread shop washed away in the floods. There was  a lot of flood damage evident from huge craters in roads, footbridges out of use as too dangerous ( entailing longer detours) and piles of stones where there shouldn't be , washed up by the flood waters. The main road between Grasmere and Keswick is still  out of use.
Another day I walked to Rydal  Water and  drew until my fingers were too cold to hold a pencil - it was a bit more sheltered in the 'Grot' drawing Rydal Falls. I did some watercolours  but have got more into drawing as a result of all the courses I've been doing.
Most of the time though I was stitching and  making small collaged compositions inspired by my strolls and sketches, returning home refreshed in body and spirit.   

Rydal Retreat

 

Last week I was on my 4th annual  retreat with NWCQ in the Lake District, the 3rd at Rydal Hall. Perfect timing a week after leaving Kew for some reflective time painting and stitching with friends in a tranquil, uplifting environment. As in previous years, I'm basing Journal Quilts on my sketches (beginnings of first above) and I was lucky enough to have a room this year looking out to the front  with a glimpse of Windermere in the distance  and remains of snow on the surrounding hills, so I didn't have to venture too far for inspiration!

 

 It took a little time to arrange the tables in the 'Old Kitchen' (conveniently next to the bar) but once established  in our niches, it didn't take long for everyone to pick up  from where we left off last year. It's great to see how varied peoples working methods are and everyone is so generous in sharing.
Several of us had brought 'Gelli' plates with us and I  had a go comparing it with my usual acetate sheet (and got a bit carried away as usual with monoprinting - I even used up all the colour catchers I'd brought with me)

Apart from crossing the courtyard each lunchtime for delicious homemade soups at the  tea shop, I  made only a couple of walking/sketching expeditions.  



 

On my first on Tuesday I was fortunate enough  to be doing my annual sketch of   Rydal Falls from inside the 'Grot' when there was a sudden hail/sleet storm. 5 minutes later the sun was shining again.!



 

 On Wednesday night there was torrential rain  so on Thursday there was about 4 times as much water in the beck ( see difference above ). Further downstream, the river had expanded into the nearby field -it had cleared again by Friday. I wish I'd taken a picture of the bright pink ice-cream van parked on the bridge  next to it, catering for the damp visitors!

Too cold to hang around sketching at Rydal Water this time  but I enjoyed absorbing the view before heading back for hot chocolate.

On Friday afternoon after a visit to the Quaker tapestry in Kendal and collecting sourdough bread from 'Lovingly Artisan' , I was early for my train which was  just as well  because all trains to  and from London  were cancelled because of an earlier broken down freight train at Lockerbie ! After a few minutes panic, advised to  take the train to Manchester airport, and change at Preston where I caught up with the train I was booked on  so all was well. Arriving back at a packed Euston station ( usual Friday night plus extra mayhem with train cancellations) was a bit of a shock after the tranquillity of Rydal.

We've already made a booking for next year  It's such a  supportive, fun group ( and lovely location), we feel so comfortable with each other, it just goes from strength to strength.

 

Rydal Inspiration - NWCQ Retreat 2014

 Just back from 5 days retreat with NWCQ group in the  Lake District staying at Rydal Hall. Once again a time for  creative reflection  in good company in a beautiful setting. The staff  there are so helpful and  it's wonderful not to have to think  about cooking ( it's 4.30 and my tummy is wondering where the traybakes are....). I  struggled a bit on the train with all the stuff I'd taken' just in case'. In the end,apart from pinning and tacking a large indigo piece onto wadding, I didn't do much stitching, concentrating on sketching and painting from my surroundings  and making a little book of stitched monoprints and drawings based on these. Preparing an informal talk about my experiences from the  workshop  with Dorothy Caldwell,  it was a luxury to have time to consider my personal repertoire of marks and put them into practice. I got the  group doing blind stitching ( much to the amusement of other guests heading to the bar!) and several decided to make their own collections of 100 objects.

 

Retail therapy was not forgotten - a trip to Keswick to the pencil museum shop yielded  discounted ex display tins of XL graphite and charcoal with another tin of Grasmere gingerbread acquired on the way back. 

 Rydal Falls had considerable more water going over it compared to last year  but the colours of the bracken on the hills was just as beautiful.

Based on   my sketches , I pulled out bits from my scrap bag to make up a journal quilt and another from acrylic monoprints too precious to cut up for my book! Now when I stitch these, they will remind me of my break, it's good to return to making JQ's that have a story

 Some pages from my book based on the patterns on bark and fast flowing water.

Rydal Falls from the 'Grot'

 

 

 

On the first day I discovered the 'Grot'  and in the steps of better artists  like Constable and Joseph Wright of Derby , took photos  and did numerous sketches  through the framed view as the light changed constantly, trying to capture the huge range of colours. 'Picturesque' indeed!