Drawing Tuesday: Large Scale Sketchbook Homework

I was up in Yorkshire when the Large Scale Sketchbook  course had their site visit  to the V&A   cast courts   but as its an essential part of gathering information  to be developed later , I made sure I went at the earliest opportunity. I've been  a few times before , mainly interested in the exhibits in room 46a (including Trajan's Column)  which is currently closed for renovations (although you can see glimpses of them shrouded from the sculpture room )   At least it was  relatively peaceful  given it was half term , with lots of sketching stools available, 2 people already hard at work on intricate detailed drawings  and  a helpful steward/guide

My heart sank rather at all the figurative busts and statues, not my thing at all, but as instructed I made a number of brief sketches  and notes of things that interested me , mainly of the different depictions of folds in cloth of the  various virgin and child reliefs. 

I then went via the sculpture galleries to the Cafe for an early lunch to cogitate on what I might draw in greater depth.  On the walk back, I was struck by how much more I preferred the rough, raw,  back of this terracotta sculpture , the 'unconscious side', but then I do have 'previous' in this regard, drawing the backs of Greek sculptures at the BM ! 

 Initially attracted by the curves of his helmet, I ended up drawing the rear view of these 2 busts: 'Bart and Massa" and is often the case, the more I drew, the more I saw. 

As I used the surrounding architecture  and larger sculptures as references for measuring proportions, the more I got interested in how the lines and forms of the  busts   were echoed in the shapes around them. 

I drew 'Bart' from different angles and viewpoints  until I realised I was not looking anymore  but repeating myself  ( and distracted  by the spectacular thunderstorms overhead-  the cast courts have glass roofs) 

Only then, as per instructions,  did I start taking photos. I'll be missing the  next session too as Ian has a hospital appointment  so I've started playing around in Photoshop to simplify the structures so that hopefully I'll have lots of material to play with in  week 5 of the course. Already I can see so much potential in what initially seemed a pretty uninteresting subject.  

 After such a lovely day out, I had a horrendous  journey home. I got to St Pancras  after 3, in time for the 15.25  train, to find that trains had been cancelled and or delayed due to bad weather and lightening strikes . Stood for 2 hours on the platform, Ian joining me for supposed 16.25, couldn't physically get on the train when it arrived , thrown off the second as all trains from St Pancras cancelled due to trespasser on line at Ebbsfleet.  As it was now after 6pm  we went for  a meal ( and glass of wine) at Pizza Express  before heading off to Victoria station where train only 45 minutes late . Arrived home at 10pm, still recovering, at least Ian was working from home today!  I did have my train stitching with me but funnily enough none was done!

Large Scale Sketchbook: Week 2

 Week 2 of 'Large Scale Sketchbook' started with the usual miscellaneous collection of still life objects, but rather than charcoal we were using pencil, encouraged to think about how we held it and the marks made 

 It's very difficult to get an accurate drawing  when you're working on such a large scale , particularly as we were seated around the table and unable to step back and assess. Still the ghostly marks left from many erasures adds to the surface.

 As in the previous week we added weak ink washes on the  darkest areas . We were then asked to choose our favourite 2 areas and these were photocopied .

Then in the last half hour or so the fun began - combining the photocopies  with the original drawings, cutting out, mixing up, creating repeats of patterns with different qualities. 

 As  I'd chosen 2  areas on the same page to photocopy, my copies were all quite similar  so some drastic cutting through of pages was required to create some interest and contrast.

 But then I rather liked the sense of space that  resulted, it's  easy to  build up more and more textures and marks, removing and taking away is just as important.