Showing posts with label indigo dyeing. Show all posts
Showing posts with label indigo dyeing. Show all posts

Saturday, 28 July 2018

Delicious Indigo Favourites



  Some of my favourites from recent indigo dyeing session.
 Above: sections  of  old quilts  remaining  from  being used in 'Eroding Margins' and 'Birchington Breakwaters' : pole wrapped and scrunched in net bag.

Eroding Margins 


Birchington Breakwaters ( detail) 

 A fairly ' new' acquisition which disintegrated  on washing : before ( above) and after ( below) dyeing. I love those  dark red original colours   revealed once the faded top layer is gone.  


  Below, another section  left longer in the vat - a step too far?


  French linen T towels:  'donut'  above, pole wrapped below ( I've got lots of variations of these!)

 Underwhelming ecodyeing improved with indigo!  ( 'donut' above, scrunched in net below)


Nasty bright yellow fabric tamed  with indigo ( before and after pole wrapping ) 


 The  'boro'  sections of old quilt I've been 'train stitching' on . Some of the layers of wool have not  dyed so well . Scrummy - these are the bits I'm going to work further into







Wednesday, 25 July 2018

Indigo Dyeing In Deal



Its been 4 years since I did any indigo dyeing   and  without an outside drain in the garden  at our new house , I wasn't sure when I'd get the opportunity to do it again.  So when Glenys from CQ  Kent group  offered to host  an indigo session at her house in Deal while her husband was  away  for a week, I invited myself to stay for a night so we could have 2 days playing  and invited  other group members to join us!  


 The previous  week Glenys picked up all the kit I had stored in our garage ,  I had some new pipes cut  for pole wrapping (which Ian  gamely carried home!)  and I hurriedly put together a requirements list and suggestions  for  what to make in advance including  presewn 'socks' .  


  Glenys met me at the station on the first day   and  we spent the morning setting up  the vats ( with some recalculations required as the markings on the measuring jug weren't easy to read   and I made up   my large blue vessel with too weak a solution!) .  Glenys's facilities  are excellent - a large garage with sinks with hot and cold water  and a large gravelled area  for setting up drying racks. 

After lunch,   Jan, Barbara and Stella arrived and were soon busy in the sun  preparing samples.   It all got rather exciting  as we put  items into  warm  water to soak and then  dunked them carefully in the vats ( poles in the large blue vessel, smaller items in the bucket.) It was lovely to introduce indigo novices to the magic of seeing fabrics turn from yellow to green to blue as they oxidised.  It's a quick process compared to procion dyeing  so we soon had rackfuls of beautiful  cloth to admire. 


With a break for afternoon tea and cake in the shade of a large tree ( it was very hot)  we continued  dyeing until about 5 when were  exhausted   and  J, B and S went   home with their treasures to rinse and wash. After covering over the vats with cling film  and  getting cleaned up ,  Glenys and I went   down to the shore to the  Royal Hotel  for  a well deserved dinner and glass of wine.  

 The next day  was  grey and  overcast ( a big contrast to the  strong sun the day before)  , even some light rain at times, so Glenys and I retreated to the garage.  After ' sharpening' the vats with more hydros ( and transferring  some of the contents of my tall blue vessel into  a bucket ) we spent most of the morning preparing items  for dyeing, including trying some different techniques  there hadn't been time for the day before ( 'donut's' and wrapping around ridged hosing) .  I concentrated on 'scrunching' bits of old quilt in net bags secured with  clips. We then had combined morning coffee and lunch  before the dipping began.   The dye was definately beginning to weaken towards the end of the afternoon - time to pack up



Parcels  waiting to oxidise. 

Glenys unwrapping 


Clearing  and  packing up took a while  and then Glenys took me and the kit home and as it was raining (!)  I set up my wet items on the  balcony airer in  my garage  ( no sinks here, it doesn't even have any light) which left nice marks on the concrete! The following day I  set up the airer in the garden to dry properly . 

On Monday the grand rinsing and  washing session began! We might not have an outside drain but we do have a tap  and I set up the 'painting easel  chairs'  with large trugs for rinsing , the water going on the garden afterwards. Rinsing in cold water is usually my least preferred  part of the process but it was surprisingly enjoyable given the  heat! 
I split my dyed fabric into 2 loads for rinsing and washing ( pole wrapped  and French tea towels above, old  quilts  below)


  I'll share my favourites  in another post   but I was generally very happy with the results and  thanks to Glenys  we had a very enjoyable  and productive session. 



Monday, 2 May 2016

CQ On the Edge: Eroding Margins


Thrilled to find out this morning that my entry ' Eroding Margins'  for CQ 'On  The Edge'  challenge  has been accepted!!
Having been in the 'Salon de Refuses' the last couple of times I've entered ( 'CQ@ 10'   and  'Dislocation') and  after a year of not making anything much, fearing I'd lost my way, it's given me a real boost. It fits in with both my continuing  series of indigo and seascapes  and those using salvaged antique red quilts, being constructed from sections of old quilts I dyed in the garden
A decent bottle of red with our lamb chops at lunchtime is called for I think...   

From my statement:

The edges of the coast are eroding, falling into the sea, being washed up in other places.  Disintegrating sea defence structures are patched up, replaced and reinforced, the coastline continually evolving, a delicate balance between intervening and letting nature take its course.   

Sections of two rescued antique coverlets over-dyed with indigo, tacked together and lines of broken quilting repaired, the edges of holes caught down and darned. Through the process of stitching I attempt to reach an equilibrium of mending with leaving the fragility and beauty of worn textiles to speak for themselves.

Thursday, 24 March 2016

Getting started again : On the Edge

Had a lovely day on Tuesday - Sue came to visit , the first time since she and Peter helped us move in December.  We had coffees that merged into lunch at The Yard while we caught up ,  then after a visit to Creek Creative, we  headed back to the house  to  see what progress we'd  made. Lots of good advice and suggestions about design walls and shelving in my studio  and  bit of tweaking of some fabrics marinating on cork boards got me thinking again about entry for CQ latest exhibition 'On the Edge'.
Seeing what  Margaret Cooter has been up to  plus discussions online on the CQ Yahoo group ( with an extension  to the deadline!)  has opened up the possibility that I might actually  have a go.

I'm using the sections of 2 very tatty old red and white quilts  that  I over-dyed with indigo  ( and re-appraised  after I'd been to the Simon Calley exhibition )  and I think I've solved how I can show both sides and showcase the lovely raggy edges.  It  shares some characteristics  with the 'Cwilt Cymru ' Red Fragments piece I made a couple of years ago ( below)  but without the paint! I've put together a  sample JQ ( top) to work out how to stitch it .
Regardless  of whether I   manage to finish it in time for entry ( or whether it's accepted), it's great to have excitement and motivation back again. Meanwhile I'm still stitching my second 'Cynefin'  quilt.   

Sunday, 15 June 2014

Blues in the Mail

In response to the Dislocation theme for the next CQ challenge, I settled on  chopping up and rearranging this wonderful piece of hand dyed  cloth from Jo Lovelock ( looking forward to buying some more from her on Friday at Sandown quilt show)
Of course with quilt layered and a deadline looming, I found that  I didn't have quite the right blue threads for the job despite have a good collection - they were all on the red rather than green side of the spectrum.  However some quick online ordering from Barnyarns ('King Tut' and Madeira)  and Wonderfil brought some contenders winging their way through the post. Always difficult choosing colours from the screen but I think the heavier 12wt 'spagetti' and  fruitti' threads will do the trick ( they work fine in the machine with a 14 titanium needle and are nice for hand stitching too)
 
I'd intended to do some sample stitching today but a little fragile after a wine tasting session  yesterday at the Club at the Ivy ( very swish glass elevator) . So instead I took some photos with different orientations of the proposed indigo shibori layer that's going over the top and have left them around to marinade and mull over. I've also finally got round to ordering  indigo supplies from Kemtex - hope to be setting up my own vat in the garden in July, concentrating on dyeing pieces of vintage quilts.