It started off with trying to take night shots of Brentford from Kew Bridge on my way home from work(below) But the screen kept showing the shaky hand symbol and the picture was blurred so I thought- what if I deliberately shake the camera during image capture. Result- fireworks!!
I promise, no editing in Photoshop, just dodgy digital photography!
Another splendid Thames Valley CQ meeting organised by Sandy. Linda Seward talked to us about publishing ( I knew she'd written some books but so many.....!! ) After a quick lunch we had a tour around South Hill Park. Being among creative folks, we found inspiration everywhere -the views of trees outside from the printing studio( above).
The tools in the jewellery studio
A scratched light box in the printing studio
The contrast of metal and wood on the 'acrobat ' sculpture
I couldn't resist giving a test run of my sketching gear for Tunisia with my home-made watercolour sketchbook and in discussions over tea,received lots of advice from people who'd done bookbinding courses on how I might achieve what I want. And that was besides all the textile related stuff! This group is such a find. 
We started off with a sheet of newspaper (Evening Standard in this case) and then placed a piece of tracing paper over it and drew round some of the blocks of text, banners or pictures. Not the same bit of newspaper shown here but you get the picture. Then we transferred the traced image onto watercolour paper by scribbling with pencil on the back of the shapes of the tracing paper and then tracing over the shapes again from the front - I can't think how many years it it since I did that! 
Then picking out the areas liked/disliked and using in my case a more restricted colour palette, painted on the watercolour paper with the transfered shapes, thinking about layers and quality of paint and brushstrokes 
The results were so varied - some people had picked out tiny little squares (and were then cursing at the amount of tracing involved!) , some had concentrated on large blocks but all were based on the newspaper layouts . It was a great way to produce abstraction fairly painlessly and in a restricted time frame . Worth further exploration.
I was looking for a photo montage programme to show what I've been working on so far for Art Every Day Month and look what I found!
I've enjoyed acquiring new skills ( and revising old ones) through these monthly challenges - this month I had a go for the first time with invisible thread and the applique foot on my sewing machine ( tho' I gave up on invisible thread and went for the 'rustic' look' )
Someone had given a link to this method of making circles by wrapping fabric and template in foil and pressing with iron- magic!
Drunkards Path A
Drunkards Path B
Another interesting session at my drawing evening class. We'd been asked to bring leaves in and I'd collected loads at Kew but not as many as the tutor-the tables were smothered with them, quite a sight. After a brief exercise in using complimentary colours for shading, we had about an hour to choose some leaves, look at the colour and paint them in either watercolour or acrylic. While we could have observed just one leaf in detail, she encouraged us to do a layered leaf study in the style of Georgia O'Keefe whose work she had some images of. I wasn't so familiar with these as the close-ups of flowers and desert imagery and eagerly took up the challenge. I liked that it was moving away from botanical accuracy into abstraction. More of that next week - we'll be doing Rothko-esque colour fields but with newspapers and acrylics. Can't wait!
The raked gravel gardens around the Japanese Gateway with an occasional leaf sprinkled on could be a piece of Land Art and I was intrigued when looking through the camera how the shadow of a tree cast its' shadow. It wasn't so obvious 'in the flesh' - something to do with the camera emphasising contrast or framing the view?
And to think such amazing doors were on my doorstep and I didn't realise! These are oak doors on Queen Charlotte's Cottage - the brown wood is I think non-original from where they have restored them so you can distinguish between old and new.
Would you believe that this is the Thames?! At Brentford, the river has islands ('Aits') in the middle and as the tide changes the main part flows down the Kew bank. 
This is the same spot where Ian and I had lunch at the Watermans a few weeks ago watching the tide change but I never imagine the water level could be quite so low, it looks like someone's pulled the plug out!
I loved the patterns in the mud and gravel - I'll have to look at the tide charts to see when I might get an opportunity to sketch 
Another colour wheel, this time in Golden Fluid Acrylics. I haven't used them much but I can see why they're popular - they're so pigmented, a drop goes a long long way!
Having finished my 'breakthrough' piece at the beginning of Novemember , I signed up for 'Art Every Day Month'. I know from my Journal quilts that quantity can indeed lead to quality, even if some of the the efforts along the way are trivial or abysmal so I've been content to attempt something , even if its' just 20 minutes doing a colour wheel. It all adds up - at the weekend I'll post what I've done so far.
It's a while since I've done much pure watercolour as opposed to mixed media so when I fished out my Holbein metal palette(used with tube water colour) , 2 of the blobs of paint had gone mouldy!! Time to scrape it out and replace with different colours! When I painted more seriously in this medium, I got fed up of plastic palettes and invested what seemed a huge amount in this Japanese enamel metal folding one but I've always gained great pleasure in using it - it's lovely to mix colours on and feels balanced in the hand
My main watercolour box used on my travels is this Winsor and Newton 'bijou' (it's only 8 x 6cm large!) It takes 1/2 pans and I tend to have 9 standards and then ring the changes with the others - my current new trials are with light red , oxide of chromium and cobalt green .
This folding'Rembrandt' metal box holds the rejects from the bijou- either colours that have almost run out or that have been ejected for various reasoms eg failed attempts to find a substitute for my beloved brown madder alizarin which is discontinued. This box lives on my studio table so ironically probably gets used more than the 'proper' ones more recently.
There might be some swapping of pans before I go to Tunisia. My main concern is trying to find the right format of watercolour sketchbook - the A5 bound ones I prefer are no longer made, might have to attempt making my own. Why is that despite the plethora of art supply companies (currently drooling over the recently arrived Jacksons catalogue), you can never find quite what you want?!
As a special treat, Ian let me backtrack past the allotments which had a wonderful selection of sheds and structures . This tipsy example was particularly charming, I'll be back with my sketchbook. 
We finished off at the Lord Nelson with a pint of Hobgoblin watching a childrens Halloween party assemble -lots of small purple witches walking by. 
