Saturday, 31 October 2015
Cwilt Cmyru 'Connection' at Pierhead Gallery, Cardiff
Very proud to have my quilt 'Red Ripples' on the publicity leaflet for Cwilt Cymru ' Connection ' exhibition in National Assembly for Wales, Cardiff. In the midst of packing up so I won't be able to visit. Wishing those hanging the exhibition on Monday the best of luck, hope it goes well.
UPDATE - do have a look here at the exhibition , it looks fab.
Friday, 30 October 2015
Red Circles ( September JQ)
Hand stitching in the evenings is just about keeping me sane! This is my Journal Quilt for September. Using the same idea of positive and negative circles from my July piece and the boiled wool which is a delight to stitch into( if a bit stretchy), I used thick red crochet cotton and French knots. In some ways it was more challenging than little black stitches ( I'm not an embroiderer) but I quite like that they're a bit lumpy and uneven.
Labels:
boiled wool,
circles,
CQ Journal Quilts,
hand stitch
International Threads in Maastricht.
Gillian Travis is currently in Maastricht at the Open European Quilt Championships. She's made a fantastic job of hanging the International Threads exhibition ( which includes 7 of my quilts - see if you can spot them...) Thanks Gillian, also for posting them on Facebook.
Wednesday, 28 October 2015
Drawing Ceramics at the V&A
No official ' Drawing Tuesday' yesterday while Margaret is in France but after a morning sorting out house stuff ( and delivery of yet more boxes ) I headed off to the V&A in the afternoon to the ceramics gallery to draw the oil lamps that caught my eye on previous visit . Sketched for just an hour then rewarded myself with coffee and brownie ( alas no custard tarts left...) in the Members Room. It was good to draw again after a bit of a break but I missed the company.
Perched on my stool I found material for future sessions just in that one case - the complex patterns of the pierced incense burners on the shelf below, and the subtle variations in bowls on the shelf above. Also overheard a conversation between 2 elderly gents looking at ancient Chinese pottery to work out whether they'd been diddled in their recent auction purchases!!
South Kensington was incredibly busy being half term but it's good to know that museums are still so popular. This newly installed sculpture was a contrast in every way to what I was looking at but was being enjoyed in the autumn sun ( for a seat if nothing else).
Perched on my stool I found material for future sessions just in that one case - the complex patterns of the pierced incense burners on the shelf below, and the subtle variations in bowls on the shelf above. Also overheard a conversation between 2 elderly gents looking at ancient Chinese pottery to work out whether they'd been diddled in their recent auction purchases!!
South Kensington was incredibly busy being half term but it's good to know that museums are still so popular. This newly installed sculpture was a contrast in every way to what I was looking at but was being enjoyed in the autumn sun ( for a seat if nothing else).
Monday, 26 October 2015
49 Quilts
This morning Sue came round to help me pack up my quilts. I started with covering the bed with hand quilted 'Medieval Tile Quilt' that took me 7 years to make! Then brought quilts together from the Georgian mahogany chest they're normally stored in and those draped over the bannisters from hanging on the walls and lay them on the bed to sort by size and type. I cut 'noodles' to size while Sue ripped strips of old sheet and then rolled and tied them in 3's and 4's. The largest quilts were refolded and placed in pillowcases. Next step will be matching the rolls with storage bags or wrapping them in pillow cases and sheets ( run out of time to make more bags and my machines are now packed up anyway). I ordered some metre high cardboard boxes for transporting them.
There's 49 quilts here - not counting the 9 that are currently away from home for exhibitions(Cwilt Cymru and International Threads) and the 220ish Journal Quilts in 2 very large plastic boxes....That's an awful lot of investment of time ( at least half are hand stitched) but I've enjoyed every minute.
Labels:
Cwilt Cymru,
hand stitch,
International Threads,
Journal Quilts,
quilts
Friday, 23 October 2015
Ai Weiwei at the RA
Almost 2 weeks ago since my visit to see the Ai Weiwei exhibition at the RA!
Loved the trees in the courtyard and proud of the small part I played via 'Kickstarter' of bringing it to London - my name, along with the 1000+ others is recorded on the stairs.
I didn't know quite what to expect but was overwhelmed by the beauty of some of the artworks , enhanced by the meaning and background to them.
The tale behind the piece in room 4 with studio pulled down as supposedly didn't meet build regulations beggars belief
The use he'd made of antique ceramics is controversial - dropping pieces or grinding them up I'm not too sure about but I loved the brightly coloured Neolithic pots. It felt like he was honouring the craftsmen of the past by bring new life to what some regard as dusty relics. I think if they'd had access to such colours they'd have used them. After all I'm a 'quilt resurrectionist' myself!
Loved the trees in the courtyard and proud of the small part I played via 'Kickstarter' of bringing it to London - my name, along with the 1000+ others is recorded on the stairs.
I didn't know quite what to expect but was overwhelmed by the beauty of some of the artworks , enhanced by the meaning and background to them.
This enormous piece in room 3, made of straightened metal bars from collapsed buildings was not only stunning in its scale and the subtle waves and patterns but brought a lump to my throat, with it's reference to the impact of shoddy construction of public buildings such as schools and the list of the thousands of students who lost their lives when buildings collapsed in an earthquake.
The tale behind the piece in room 4 with studio pulled down as supposedly didn't meet build regulations beggars belief
The use he'd made of antique ceramics is controversial - dropping pieces or grinding them up I'm not too sure about but I loved the brightly coloured Neolithic pots. It felt like he was honouring the craftsmen of the past by bring new life to what some regard as dusty relics. I think if they'd had access to such colours they'd have used them. After all I'm a 'quilt resurrectionist' myself!
Also liked the map of China in room 6 and the chandelier made of bicycles!
I've since been to the Fabric of India exhibition at the V&A ( fabulous!) and going to the Celts : Art and Identity at the British Museum with Ian tomorrow after lunch at Savoir Faire . Have just paid for membership of both V&A and British Museum so that as well as getting into exhibitions, can use the members rooms as 'clubs' when coming up to town from Faversham .
Labels:
Ai Weiwei,
British Museum,
Celts,
Fabric of India,
Royal Academy,
Savoir Faire,
V&A
Sunday, 18 October 2015
Photos from Portland
Two weeks ago at this time (Sunday afternoon) we were in our room in the Heights Hotel , Portland digesting a delicious Sunday roast at the New Inn, Easton hoping we'd have enough room for 3 course evening meal in the hotel restaurant ( we were staying on a BBD basis). We just about managed it by choosing lighter items from the menu!
This Friday to Monday break came at just the right time - Ian hadn't had a holiday since we were last in Weymouth in March and we were much in need of fresh air and a change of focus from sorting out house move.
We travelled down on Friday morning and travelling light, caught the bus to the hotel, then headed straight back out again to visit the Chesil Beach Centre halfway across the causeway to pay homage to my beloved fleet mudflats. The weather gods were with us, the sun was shining, the temperature warm. Back to the hotel to sketch from the restaurant and begin to see the sky change . It was over by the time we had dinner in the restaurant but there were some lovely residual colours.
After an excellent nights sleep and a lovely buffet breakfast overlooking Chesil we headed out on foot to explore the Kings Barrow Quarry nature reserve, literally next door. We had it pretty much to ourselves and it looked rather different to when I went in May
After coffee, pizza and florentines at Jackson's Art Gallery we head down to Chiswell, I settled down to do some sketches of the West Weares and pebbles from Chesil while having a beer at the Cove House Inn. Again, lovely weather and there were lots of people enjoying the sun, difficult to believe it was October!
We'd booked an earlier dinner back at the hotel to catch the sunset - a lot more cloud around so not quite as spectacular but lovely panoramic views of the orange glow
On Sunday to build up an appetite for our roast lunch, we ambled around the Tout Quarry sculture park. We've been several times before but always find new discoveries like this one cleverly designed to look like it's fallen from the rock face. The weather started to change on Sunday afternoon and by Monday on our return to Weymouth station it was very wet and windy. But that had its' own magic in the ' white horses' waves and the colour of the red seaweed washed up on the shore. A wonderful relaxing break, we're now packing boxes in earnest
Tuesday, 13 October 2015
Sketching in African Gallery at British Museum
Today's sketching in British Museum was supposed to be back in the Barkcloth but on arriving early and going up in the lift, there was a notice to say that gallery was closed! Texted Margaret that I was heading off to the African Gallery and the others joined me there. It was a mixed choice - wonderful objects but rather dark and very busy, mainly with school groups who were also drawing so bench space was at a premium! I bagged a bench in front of these amazing throwing knives with their wonderful shapes and patinas. The disadvantage of being some distance away ( and the poor light) meant I missed the exquisite incised designs on them. Next time I'll see if I can get a sketching stool.
Swivelling on the bench ( reluctant to give up my hard won seat) I gazed up at a huge tower of large pots.
You can just see a bit of the 'warty' one in the photo ( I enjoyed making marks in my sketch) The water pot I drew with it's multiple openings looked, the others thought, like a heart.
And finally in the last 20 minutes, on a different bench shared with some students, a wooden mask ( they were very impressed I was drawing with a pen!) Then lunch and a visit to Ai Weiwei at the RA on the way home ( another post)
Swivelling on the bench ( reluctant to give up my hard won seat) I gazed up at a huge tower of large pots.
You can just see a bit of the 'warty' one in the photo ( I enjoyed making marks in my sketch) The water pot I drew with it's multiple openings looked, the others thought, like a heart.
Labels:
African Gallery,
Barkcloth,
British Museum,
ceramics,
museum sketching
Saturday, 10 October 2015
Beyond Small Treasures
My 1/2 hour drawing sessions recording 'small treasures' has worked well getting me back into good habits ( along with the kickstart of City Lit drawing class and sketching Tuesdays in Museums). As with when I started making Journal Quilts in 2003, the appeal is fitting something creative in when life is very hectic and larger projects are impossible. They provide opportunities to explore new materials and techniques and if they don't work, well you've learnt from it. I like that they don't need to be for anything, just themselves, and my observational skills , have improved no end. I'm also currently in love with the 5 1/2 inch square Seawhite sketchbook I'm using.
So while away for the weekend on Portland, besides studies of some of the wonderful pebbles on Chesil Beach ( which I carefully rehomed after I drew them - you're not allowed, quite rightly, to take them away ) , I moved on to recording larger views, while still sticking to the half hour rule.
The views from 'The Heights' over Chesil were wonderful, especially in late afternoon, drawing from the restaurant after a cream tea (me) and a beer(Ian)
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