It's surprisingly difficult to capture wonkiness accurately! I had several attempts with lots of rubbing out then concentrated on the marks and textures combining different media ( watersoluble pencils; Pitt pens in varying thicknesses in sanguine and sepia; 0.1 and 0.3 Unipens: pencils and graphite) . The items made of antler horn were particularly difficult.
At lunchtime when doing 'show and tell' of our sketches ( as ever, widely diverse subjects) , the others wanted to know how I got the effects on the black pot. I first developed this technique drawing at the Petrie Museum : scoring lines with a leadless propelling pencil then rubbing over with 6B graphite . The inner part was graphite partially erased with tombow eraser, another of my essential tools
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