Showing posts with label Fabriano Medievalis. Show all posts
Showing posts with label Fabriano Medievalis. Show all posts

Sunday, 25 January 2015

The Shape of Challenges



 With  the long awaited arrival of the latest CQ newsletter ( great job by Margaret)  the challenges for  2015 Journal Quilts and Foq were revealed. This will be my 13th  year of making JQ's - I had already been making them for a few years before  Contemporary Quilt started doing it.
The  rules this year are that they be 6" x 12"  and you choose portrait or landscape format and stick to it.  That will be the hard part for me!
When this size was last set in 2009, I didn't like it very much , especially after I'd so enjoyed the 12" square challenge  the year before. While  I did produce some nice pieces ( the  best  I've shown here) some were quite dreadful ( I'll spare you those!)

Now having made several 40 x 80cm portrait quilts  for International Threads, I've learnt to enjoy this format  and the new  CQ challenge 'Elements'  is  nearly the same at  45 x 80cm. So there is some advantage to using   portrait format JQ's as trial pieces and experiments( and probably more doors!) 
However,  making little books using the Fabriano Mediavalis cards  as the basis ,  I like the idea of a landscape  series ( even bought a panoramic sketchbook to take up to Rydal Hall retreat, in 5 weeks time ,inspired by the purchase of  Norman Ackroyd's  Shetland Notebook). Seascapes would probably feature again too.

So which format to go for? 

 UPDATE - thanks for all the comments, I decided in the end to go for Landscape.


 

Thursday, 15 May 2014

Book of Elounda - Textures and Patterns

Some pages from my 'Book of Marks' from Elounda, Crete.

Compiled on site  from: watercolours and sketches on Fabriano Medievalis cards ; colour catchers  with frottage and acrylic paint monoprints ; fabrics brought with me -my own indigo and  hand dyes from Alter Ego (I'm also the lucky owner of one of Jo's sketchbooks thanks to a birthday present from Sue!) .

Inspired by the local landscape ( especially the clouds and sunrises over Spinalonga peninsula) and the textures of the flora and peeling doors.