Before my Advanced Painting class on Friday I prepared a couple of quilted pieces with photos of the outside and inside of a mussel shell printed onto black t-shirt transfer paper applied to a fabric background (monoprinted or printed photos of shibori/sand ripples. My intent was to extend the patterns from within the shells to their surroundings, embedding them. More work is required but I'm excited by the possibilities. Next step scaling up! There was a lot of interest from the others in my class on using textiles to paint on.
The focus of the lesson itself after a pep talk on strategies for working was on 'transcription ' copying artwork and making it your own , looking at the techniques used but also as a springborad for your own ideas
Eileen Cooper spent some time as artist-in residence at Dulwich Picture Gallery and you can see some of the influences of looking at the paintings there in her work but it is uniquely hers
The optional exercise was to copy Titian's Bacchus and Ariadne looking carefully at composition and tone. I didn't do it myself as I was absorbed by the mussels but there were some very varied and interesting results from those that did from random colour choices ( but observing tones) to broad expressive bush strokes. It reminded me how much I learnt drawing from the masters at the National Gallery, so much I did it twice! And just rediscovered from the books in storage is this book which features some of my drawings.
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