The canvases are huge and monochromatic ( partly to unify as the starting material is collage of all different colours ) . If you look at them closely ( as were able to do when projected on screen) you can see all kinds of witty detail, puns and references to the art world ( eg art speak text in 'building the Grand Canyon)
Picasso and Braque |
Valley of Doubt |
Building the Grand Canyon |
Doubting Thomas |
Many people were continuing with their 'transcription' of Bachus and Ariadne, starting new work or continuing with paintings they already had started. The muse however was missing for me and I had a few false starts until the last half hour when in desperation I pulled out a scumbled failed painting from the drawer , similar to the surface used for oil transfer technique. I did something based on photos of Minnis Bay , very loose with splatters and use of credit card scraping and in the end decided it wasn't that bad!
I was working again the mussels: photos printed on black t-shirt transfer paper and applied to fabric then quilted before painting. The one based on the outside of the mussel went from bad to terrible , dark and over-worked, but the one of the inside with its circle of sand went better
Yesterday I added more stitch with my Pfaff Grandquilter which copes with all the layers of paint admirably and am excited by the possibilities of scaling up.
Only 2 more classes to go and I'm deciding what to do - painting time is actually only a couple of hours taking into account set up and cleaning up and I always take too much stuff and waste time trying to decide between option. This course has generated too many ideas! More shells or Minnis Bay?
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