I loved the watery nature of the shadows but as shadows do, they kept disappearing and moving !
It was the variations in colour that attracted me in the first place but I got absorbed in drawing with 4B pencil and using eraser ( current favourite is a Tonbow mono zero, it's like drawing with light) . I daren't risk adding any colour having learnt from bitter experience that you can't rub it out so I did a very quick colouring-in of my preliminary sketch with a watersoluble pencil (Caran D'ache Supracolour II Blue 260)
One of the sessions in Advanced Painting course was on using Photoshop or similar to review possibilities for making changes to your artwork in progress, something I do frequently for source material, less so for my own work. So at home I did some playing around with Photoshop, seeing what my pencil drawing might have looked like if I'd been brave enough ( and had more time) . I sampled the blue from my drawing and then used it in combination with different 'sketch' filters.
Graphic Pen
'Halftone'
The same filter ( 'chalk and charcoal' )applied to the photo ( below) rather than the drawing ( above) is far less interesting and dynamic as there isn't the variety of marks
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