Yesterday was the annual meeting of Contemporary Quilt in Central London, an event I look forward to eagerly each year with its opportunity to catch up with so many quilting friends. I picked up my copies of the 'Horizons' Catalogue ( Thanks Hilary), thrilled to find mine is on the front cover!
This was a very successful exhibition and it's about to go to the Prague Patchwork Meeting.
The afternoon talk was by Elizabeth Tarr, not a textile artist I was aware of, she works a lot with indigo (particularly on paper), now buying Chinese shibori pleated skirts from Slow Loris rather than dyeing her own. A lot of the pieces she showed on slides was very dark and difficult to photograph- the example she'd brought with her showed better the richness and depth she achieves. With indigo I go for marks rather then the intensity she aims for - just shows how versatile a dye it is, more determined than ever to set up a vat this summer. She did a whole series around painting' Las Meninas' by Velazquez of the Spanish Infanta, admitting this style of painting wasn't really her thing but adapting images from it to tell her own stories. It made me think of the courses I did at the National Gallery, finding links to pictures in all kinds of unexpected ways which I am still processing.
journal quilts: 2 based on my surroundings at Rydal ('Rydal Colours' and 'Rydal Beck') and 1 an experiment with all kinds of red marks: pen, stitch and finger painting!
London Graphic Centre with a box of 100 Fabriano Medievalis cards as used on 'Human Marks' class. I'd told myself that I could easily make them myself from watercolour paper but actually because they're mould-made with a slightly thinner area on the fold, they work much better in handmade books of marks. I'm planning to take some ( along with colour catchers, paints and threads ) when we go to Crete in less than 4 weeks.