Friday, 30 May 2014
John Virtue Seascapes and Prism textiles
I was absorbed by the monochrome seascapes of John Virtue at the Malborough Fine Art Gallery . The huge canvases gave a sense of being within the landscape, particularly when you could see several at once and I liked the subtle brush marks in what looked initially like a flat black area. But I preferred the smaller works on paper ( still about 1m wide), the variety of marks more dynamic. Much as I love colour, there's something about the rigour of a limited monochrome palatte that appeals.
Prism at the Mall Galleries . I applied to join a few years ago but wasn't accepted - probably just as well given the limited time I can devote to textiles at the moment. I enjoy seeing the variety of work produced by this group - Amanda Hislop, Liz Harding, Alice Fox and Consuela Simpson were my favourites , mainly I think as they all base their work on marks from the landscape.
Meanwhile, I'm thinking about a potential piece for latest CQ challenge 'Dislocation' using both the front and back of a very tatty log cabin quilt. There's a bit too much of the red at the moment - I like the flecks of colour that show through the holes in the backing but not sure about the solid red areas ( although I can always paint them .... )
Saddened to hear of the death of Robert Genn - I've subscribed to his twice weekly letters 'Painters Keys' for several years, his insights into artists practice have given me a lot of pleasure and food for thought. It's good to hear his daughter is continuing with them.