Showing posts with label fingerprint. Show all posts
Showing posts with label fingerprint. Show all posts

Thursday, 2 July 2015

Handkerchief Memories

On the requirements list for the  CQ Summer School workshop with Isabel Dibden-Wright, besides paper, drawing and sewing materials and black and white fabrics   was a handkerchief ' for artwork' .
I thought it might be used to mount a piece of textile work but its purpose was far more intriguing.
 
On the Friday evening, Isabel showed us a selection of handkerchiefs ( plain, embroidered, vintage, new)  and we had a brief discussion about what they're used for and  memories  associated with them.  Our challenge  was to decorate/ alter  the handkerchief we'd brought with us in any way we chose with a 'grand reveal' on Sunday afternoon 


 
 The  handkerchief I brought was one of those liberated  when I converted Ian to tissues  from revolting  ' Manky Hankies' ( of course the downside is tissue lint  in the washing machine... ).   Apart from  a  dainty small hankie I use with Olbas oil,  my main use of these large mens hankies is for  wiping eyes when I cycle; removing smears and fingerprints  from my glasses;  around my hand when using a trekking pole to absorb sweat and as an impromptu paint rag. So my decoration, continuing the mark-making theme of the class and inspired by my 'Human Marks' workshop with Dorothy Caldwell  involved fingerprints of  ink using a piece of felt and a  photo  printed on fabric  of my inky finger, tacked on with quilting thread.  This photo was a trial run for my  'Inky Digit' quilt - I'd brought it with other black and white fabrics. Ruth had suggested I should do nostril prints but lets not go there....   
 
The  'grand reveal'  was very moving as apart from the ingenuity displayed in  working with the handkerchiefs (3d origami structures, bags, hats, text , stitch), how handkerchiefs are used and who they belonged to had triggered   hidden and powerful  memories and honest sharing  of the difficulties in caring.
 
 At the time, my main memory was as a child   buying  boxes of them for my Dad  as presents  and finding them all  intact  as they were 'too good' to use.  He persisted in continuing to wear  a very tatty jumper and hat in the garden despite new replacements for the same reason.
Then when I got home I remembered  the stories about  Dandy the Delinquent  Dalmation, the dog we had when I was a toddler , who besides chewing up  anything in sight including heirloom silver napkin rings, used to jump up and snatch the hankies from mens jacket pockets and eat them!  
 
Who knew that a small hemmed piece of fabric  could unleash all this - thanks to Isabel for the suggestion, more than just a creative exercise.

Sunday, 28 December 2014

Red Daub Fingerprinting

 Earlier this year, one of my journal quilts  was a trial trying out different marks with pen and paint  on a gessoed section  of one of my older quilts 'Which Way Now'.  It's been on my mind for a while to  see how it would work scaled up so the first day of my Xmas creative break I sewed together some  gessoed offcuts and scraps and braced the chill of the conservatory.

 I had a fine time mixing together  acrylic paints with my fingers and applying to the fabric!



The overall effect was a bit blobby so I laid it flat and applied trickles of red acrylic ink horizontally  in an attempt to unify the surface.
With  daylight fading I stopped. I'm not sure this piece is going anywhere  although probably  I'll strengthen the marks to emphasise the horizontal arrow at the bottom but I had a wonderful therapeutic time doing it!

Thursday, 16 January 2014

Measure Twice, Cut Once




I'm really annoyed  with myself for ignoring the golden rule of 'measure twice, cut once' while  trimming  down my 'Gray Scale' challenge piece for International Threads. Instead of being 40 x 80 cm it is 38 x 80 and that missing  2m on the RH side would have made all the difference.

When I was on the Human Marks workshop with Dorothy Caldwell in Puglia, I took a photo of my index finger stained and ingrained with Indian ink after a morning of making fingerprint marks.
I manipulated the photo in Photoshop, dividing it into 6 overlapping sections, and printed it out on a commercial batik (with marks that reminded me of my fingerprints) treated with bubblejet set.
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