I've been a bad , bad blogger , so involved with the process of drawing, doing a lot of thinking , using Facebook and Instagram to post photos. But I do enjoy the reflective nature of writing and I 'mine' my own blog with search function tool to remind myself what I've done over the years. So to ease myself back into a more regular practice I'm returning to the many 'drafts' I'd started . This one was almost straight compilation of Instagram posts last year.
In July 2018 the Quilters Guild of the British Isles had a warm up challenge for the Festival of Quilts on Instagram with a prompt each day. It was great fun to join in and compare our love of fabric and stitch
#myfirstquilt
This is 'Parsons Prism' made in 1982 when I was at home unemployed after leaving university. With access to my mum's stash of jumble sale finds and samples and offcuts from the Tootals shirt factory, I constructed this log cabin hanging inspired by stained glass. No rotary cutters in those days - the strips were laboriously marked and measured then cut with scissors. Sewn on an ancient turned Singer and hand quilted.
#fabricstash
One side of the studio - there's more out of sight, not to mention all the art supplies. Some boxes of yardage ( lots of indigo and African fabrics ) but mainly old quilts and recycled textiles to repurpose and lots of scraps in trolley and African baskets
#WIP
"Train stitching 2 " - scraps of indigo and kola sewn to Japanese semi translucent kasuri kimono. 'Train Stitching 1 ( 'Wind Me in the Sea') was accepted for 7th European Quilt Triennial exhibited first in Heidelberg and soon in Haslech, Austria . Note the travel kit - thread reels are on elastic to wear as bracelets, I use a Clover thread cutter and my thimble is also on elastic as got fed up of chasing it down the train carriage when I dropped it.
#quiltcrush
This piece is 'bowl by Dorothy Caldwell which was just one of her wonderful works shown at FoQ 2008. The subtle diversity of fabric , wax-resist marks and stitch, masterly composition and sense of place I found mesmersising and I revisted the gallery several times . I was lucky enough to go on a workshop with her in Puglia in 2013 and she was an inspirational and generous teacher. I was thrilled to meet up with her again at Open Studios of Pauline Burbidge and Charlie Poulsen and buy a small piece of her work!
#proudestproject
I suppose the obvious #proudestproject would be winning Fine Art Quilt Masters in 2017!! But the quilt that means most to me and wouldn't part with is 'Medieval Tiles' which took 7 years to make. Made from my own batik based on tiles in the British Museum and recycled fabrics from my mum's stash ( she was an early Quilters Guild Member) , I started it in 1987, the year she died. Hand quilted with around 50 different tile patterns. Also the largest quilt I've ever made!
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