Rene demonstrates that inking up plates for intaglio is a very messy process! After the excitement of printing collagraph plates with black ink last week, it was time to play with using different colours in different areas
Then a quick roll over with some Prussian blue relief printing ink and the 'ghost' print below. I like how there's still some residue from the intaglio.
Below are the same steps but applied to a different plate. Despite going through the same processes and through the press at the same time , they look rather different , I especially like the top one